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  Crosstalk, a traditional form of comic storytelling, is making a comeback in China's teahouses and theaters.Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin, entertained by the apprentices(學徒)of Hou Baolin, Ma Sanli or Yin Shoushan-all leading crosstalk artists of years past-for only 20 yuan(US$2.40).The success in Tianjin has also given motivation to the rejuvenation(復活)of crosstalk in Beijing and other places.

  Although the art form originated in Beijing in the Qing Dynasty(1644–1911), Tianjin became a place where rising stars developed their styles and new pieces were tried out.The city was famous for the quality of its crosstalk performances.

  “We only want to bring the traditional pieces back to the audiences, helping them to learn their charms and definitions,” said Yin Xiaosheng, head of the Zhongyou Arts Troupe.

  Known in Chinese as xiangsheng(literally, "face and voice"), crosstalk was the main form of comedy throughout most of the 20th century.In the old days in Tianjin and elsewhere, temple fairs and markets were the main places for crosstalkers to perform, although they occasionally also appeared in teahouses or theaters.

  Usually crosstalk pieces draw on every aspect of Chinese culture, from history and folk tales to contemporary social issues.Although there are hundreds of pieces in the traditional works, they are constantly rewritten to suit the times and the audience, while new works are written as well.This is one of the features that have made crosstalk a populist(平民化)art form throughout its history.

  “Crosstalk was in the doldrums with competition from other art forms, especially TV,” said Wang Xiaochun, headmaster of the Northern Storytelling Arts School of China(NSAS).“But it has regained its status with crosstalk fans, especially young people, growing aware of its rare qualities.” The reawakening of interest in the traditional art is going beyond merely watching and listening for many.“More and more students are coming to NSAS to study crosstalk, including some girl students,” said Wang, “They are sure that crosstalk will have a strong market.”

(1)

From the passage, we can know the crosstalk originates(源于)from ________.

[  ]

A.

the TV shows

B.

the teahouse and theater

C.

the cinema

D.

the temple fairs and markets

(2)

Crosstalk makes a comeback mainly because ________.

[  ]

A.

it is one of the most popular traditional art forms

B.

the pieces mainly cover folk tales and social issues

C.

the pieces are changing with times and audience

D.

it is performed by some leading crosstalk artists

(3)

Which is the meaning of the underlined word “doldrums”(in the last paragraph)?

[  ]

A.

depression

B.

variety.

C.

condition.

D.

period.

(4)

From the passage we can predict the future of crosstalk lies in ________.

[  ]

A.

making up a variety of traditional pieces

B.

having advantages over other media

C.

young people's the awareness of its value

D.

the competitive and big markets for art

答案:1.D;2.C;3.A;4.C;
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閱讀理解。
     Throughout the history of the arts, the nature of creativity has remained constant to artists. No matter
what objects they select, artists are to bring forth new forces and forms that cause change-to find poetry
where no one has ever seen or experienced it before.
     Landscape (風景) is another unchanging element of art. It can be found from ancient times through the
17th-century Dutch painters to the 19th-century romanticists and impressionists. In the 1970s Alfred Leslie,
one of the new American realists, continued this practice. Leslie sought out the same place where Thomas
Cole, a romanticist, had produced paintings of the same scene a century and a half before. Unlike Cole who
insists on a feeling of loneliness and the idea of finding peace in nature, Leslie paints what he actually sees.
In his paintings, there is no particular change in emotion, and he includes ordinary things like the highway
in the background. He also takes advantage of the latest developments of color photography (攝影術) to help
both the eye and the memory when he improves his painting back in his workroom.
     Besides, all art begs the age-old question: What is real? Each generation of artists has shown their
understanding of reality in one form or another. The impressionists saw reality in brief emotional effects, the
realists in everyday subjects and in forest scenes, and the Cro-Magnon cave people in their naturalistic
drawings of the animals in the ancient forests. To sum up, understanding reality is a necessary struggle for
artists of all periods.
      Over thousands of years the function of the arts has remained relatively constant. Past or present,
Eastern or Western, the arts are a basic part of our immediate experience. Many and different are the faces
of art, and together they express the basic need and hope of human beings.
1. The underlined word "poetry" most probably means _____.
A. an object for artistic creation
B. a collection of poems
C. an unusual quality
D. a natural scene
2. Leslie's paintings are extraordinary because _____.
A. they are close in style to works in ancient times
B. they look like works by 19th-century painters
C. they draw attention to common things in life
D. they depend heavily on color photography
3. What is the author's opinion of artistic reality?
A. It will not be found in future works of art.
B. It does not have a long-lasting standard.
C. It is expressed in a fixed artistic form.
D. It is lacking in modern works of art.
4. What does the author suggest about the arts in the last paragraph?
A. They express people's curiosity about the past.
B. They make people interested in everyday experience.
C. They are considered important for variety in form.
D. They are regarded as a mirror of the human situation.
5. Which of the following is the main topic of the passage? .
A. History of the arts.
B. Basic questions of the arts.
C. New developments in the arts.
D. Use of modern technology in the arts

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